Mary McCormack has spent most of the past
decade circling stardom and with the new USA Network series
In Plain Sight; she may finally touch down as a
full-blown star. In the new series – created by first-time
producer David Maples – McCormack plays Mary Shannon, a
tough and competent Federal Marshall in the Witness
Protection program. The series tracks her cases as she
helps newly-on-the-lam citizens deal with their new
surroundings – all the while Shannon is having trouble
keeping her own life in order.
McCormack first caught our eyes in one of the
main characters in the heavily-hyped, critically-acclaimed
but short-lived drama Murder One. At about the same
time, she opened eyes on the big screen as Howard Stern’s
patient wife in Private Parts. In the years since,
she has been a regular in such series as The West Wing, K
Street and ER. Her brother, Eric, has also
become a TV staple – playing Will on the popular series
Will and Grace.
As In Plain Sight is making it onto
TV, the actress is on Broadway in a revival of
Boeing-Boeing, which has earned McCormack a Tony
nomination. She has also made her mark in other films such
as Dickie Roberts, Child Star, K-Pax, Mystery
Alaska, Gun Shy, Full Frontal and most recently
played John Cusack’s estranged ex in last year’s horror film
1408.
However, now she is looking forward to
settling into her new series, and seeing where it takes
her. Recently McCormack sat down with us and a few other
websites in a conference call to discuss her experiences on
In Plain Sight.
What has been the most challenging part of
your role?
Well, the role is such a nice fit for me.
Honestly, I think the most challenging part of this job was
just how much I’m in it. I’ve never really experienced that
kind of workload before. You know it’s challenging and
fulfilling, it’s sort of you know one of those things, be
careful what you wish for. It’s such a great part and it’s
– you know you see her at work and you see her at home. The
sort of challenge for me was I went to Albuquerque with an
eight-week old and was working sort of 13 to 19-hour days
and for me that was the most challenging part was just
staying afloat.
How
did you come into the part? Did you audition like normal?
And why did you decide that you wanted to do this part?
You know I was looking for a show to do and I
was reading just lots of scripts and I just picked it up and
it was in a stack of scripts and I read it. I remember just
laughing out loud a bunch of times, which I rarely do, even
with really funny scripts – just because I don’t know when
I’m reading you know you almost sort of clock a joke in your
head more than you laugh out loud. And this one, I just
remember actually sitting in my living room just laughing.
And I just called my agent and said I really, really want to
go in and meet on this one and who are they after? And do I
have a chance? And you know just expressing a bunch of
interest. And so then I went and met with Paul and David
and they didn’t ask me to read actually. I was willing to
read, but they didn’t ask me to read. We just sat and
talked for a long time. And then, yes, they offered it to
me after that.
From the pilot, I think you mentioned at one
point that Mary was from New Jersey. Do you know much about
your character background; how she ended up in New Mexico or
was it basically that’s where the job was at the time?
Yes, that’s what we talked about – David and
I. The trick of TV, of course, is that you can make a bunch
of that stuff up and you know it all might change one day
when the writer decides to write something else, you know
because with television things get revealed slowly. That’s
something a lot of actors hate about the medium, but I kind
of like it. But you know we just discussed that, yes, with
the Marshal Service it’s usually a matter of placement and
that her relationship to Albuquerque and sort of the
southwest is that she went there under protest. And so her
energy is so different than the mellow, you know sort of
relaxed place she’s been put in.
Congratulations on the recent Tony nomination
for Boeing-Boeing.
Thank you.
You’ve done a lot of work in theater, I was
just wondering if you could compare and contrast that
experience – like the live experience with doing a show like
In Plain Sight.
Well, you know the acting is the same. I
mean acting is always sort of the same – like you want to be
- you know you’re pretending and you want to make it as real
as you can. That’s the similarity. The mediums other than
that are completely different. I mean you know with camera
work you’re doing really small detailed work and you know if
you do anything too big you’ve sort of failed. And with
stage, especially with the play I’m doing right now, I’m
doing a farce, and it’s so over the top that you can't
actually be too big. So it’s just completely different.
And it was actually challenging for me to do the play
because I’ve spent the last – I don’t think I’ve done a play
in seven or eight years. So for me to remind myself to be
enormous and to be brave enough to be big, it was actually a
real challenge.
Can
you talk a little bit about what’s coming up in the show for
your character? I mean all the episodes of this season are
already filmed, correct?
Yes.
I’d just love to know a little bit about
what’s coming, what people can expect…
Well, you know, her relationship with Raphael
gets investigated a little bit more, you know where they
stand and what they have and all that. And Raphael sort of
spends more and more time with my sister, which complicates
things. And let’s see what else, you know each week there’s
a different witness story, so you get that every week. In
terms of my sister and my mother, they continue sort of down
their road of destruction. And, yes, I mean I don’t know
how much I can tell without giving it away. I don’t know
what I’m allowed to tell. Brandi has – you know you see her
use the drugs, in the pilot you see her sniff some sort of
illicit drug and that storyline also continues. So they
wreak some havoc, as I think everyone can sort of see is
coming. Oh, I think I’m not giving anything away.
Discussing your mother and your sister -
obviously the other women in the family have a much looser
concern about law and order than Mary. How do you think
that she got involved in law enforcement with a background
like that? And what are Lesley Ann and Nikki both like to
work with?
Well, I love working with both of them. I
mean I think it’s so interesting. I mean to me, you know I
had a mother, my mother was always, and I think I can say
this without hurting her feelings, my mother was always late
and is often late, and I’m always fifteen minutes early to
everything. So I think we’ve all experienced sort of
becoming who we are as a reaction to what we come from. And
I think Mary Shannon sort of raised herself and had to look
after herself from day one and probably is really, really -
I think in my mind this is how I explained it – is really,
really frustrated and really, really angry about not having
a mother who was into the law and into structure and rules
and all that. So she went as far as you could go with that
and keeps everybody in line, and keeps a to-do-list on her
you know dashboard. And all of that is sort of a reaction
to what she comes from, I think. As far as working with
those two ladies – I love it. They’re both great. Lesley
Ann is one of my all-time favorite actresses and she’s never
done a television show, so to get her to do this is really a
coup.
Your
role of Mary is very witty and smart. Your comedic timing,
has it always come natural to you or is it something that
you worked at?
No, I don’t know if I have actually good
comedic timing. But I don’t think I’ve worked at any
timing. I think timing is probably something you can't work
at. Well, I don’t know. I definitely didn’t work at it.
We were talking to your co-star a couple
weeks ago – Fred Weller – and he was saying that the tech
advisors got really weird when you would ask them questions
when you guys were training for the role. Did you find that
being the case – how they get a little shady?
No, we only had one guy. We were only
allowed to have one guy. The Marshals Service actually
allowed us to have a technical advisor. These Witness
Protection Marshals take an oath, a lifetime oath to never
to talk about their service, ever. So even after they
retire, until their death they’re not allowed to tell their
wives, they’re not allowed to talk to anybody about any of
it. So it’s impossible to get information, of course. But
the Marshals Service did allow us one retired Marshal. I
think probably it was a dual function. I’m not sure it was
for us as much as it was for them to sort of know what we
were doing and to know if we were going to present it
properly. And I mean they actually were excited about the
show and read the script and liked it and all that. But
they gave us this man who is lovely, named Charles Almanza,
who was our technical advisor, and there were situations
where he wanted us to tell the story properly and he wanted
us to sort of tell the story the way the Marshals would do
it. But once in a while if the details got too specific, he
couldn't get involved. Like we’d say, “What about –
Charlie, in this situation where would I take this person?
What would be the name of the place I would take them?”
He’s like I can't tell you the name. I’m like okay, is it a
house? And he’s like, yes. And I’m like, Charlie, is it
like a basement of a school? What is it? Is it like the
back of a warehouse? And he’s like maybe. You know so
sometimes it was a little bit of a guessing game, but we
were always happy to have him. I mean I was thrilled to
have him just so we don’t look like idiot cops - you know
just with all the gun stuff and arrests. And there are so
many people doing that badly on television that it is nice
to have someone around to say you’d never push a guy in a
car like that. Here’s how you’d do it - you know.
Right, this is how you kill someone.
Yes, that helps.
What’s
your favorite part about working on the show?
Well, I think my favorite part about working
on the show is I love team sports. I love the crew a lot.
I love hanging out with the crew. I mean I usually stay on
set. I love the other actors on this show. Fred Weller has
become one of my best friends. All of them – Paul
Ben-Victor – and they’re all great. I just love hanging out
with a group of people. So I’m in the right job for that.
In terms of this show versus all my other television
experience or film experience, I love this part a lot. Like
this part to me feels like David wrote it for me. And he
didn’t, which is just weird. I mean it honestly feels like
if I could have dreamt up a role that I would be comfortable
in and enjoy doing, this would be it. And it’s a nice fit.
I think she’s cool. I want to hang out with her.
In the pilot, I found the interaction with
the Native American community really interesting. Is that
thing pretty much continued throughout most episodes or does
it just come in here and there?
Here and there.
Since you’ve acted from the stage and movies
and on several television series, do you prefer any format
over the other?
I love them all for different reasons. I
know it’s a cop-out answer. I do love them all for
different reasons. I think television might be my favorite,
if I had to choose one, because I like the familial aspect
of a big crew. I really like you know – I usually play on
the softball team with the crew. And I like people having
babies. And I just like hanging out with the same large
group of people for years. It’s a nice way to go to work.
You’re joining kind of what I think is a
pretty cool group of strong women – female characters kind
of having to do with law and law enforcement and ... cable
TV. Do you have much of an interest or sense of like you
know – performers like Kyra Sedgwick in
The Closer,
Holly Hunter in Saving Grace and Glenn Close in
Damages. It seems to be a pretty welcoming territory for
female actresses...
Yes, I actually don’t watch them, and I
should. I just stuck a few of them on my TiVO and I was
like what is all that? What’s going on here? But I’m
thrilled that at least right now people seem to be willing
to make room for us, too. And I think it’s a pretty
excellent trend. I think it’s weird that it’s such big news
because – I mean it’s not weird because it is big news. I
don’t know for such a long time women’s parts have just not
been that cool, you know. And now finally people are
willing to sort of be less likable. You know for a long
time women had to be the moral center and had to know right
from wrong and had to sort of not be sexual creatures and
not ever take a shortcut, and you know all those things and
that was sort of like what the guys did. So I think it’s
about time and really refreshing and I’m thrilled that we’re
allowed to join it. I mean David wrote this so long ago, it
might have even been written as those were being written or
before, but I’m thrilled that people seem to be willing to
have another. I hope they continue. We enjoy doing it.
I
was just wondering – most of the USA shows are like the half
season, like a 13-episode format. Is this what
In Plain Sight will be?
Yes, we shot 13 this season. It’s already
shot. And the first two were combined for the pilot. So we
have 11 episodes left to air. And then if we get invited
back, which I hope we do, I don’t know how many we’ll do –
probably the same, or sometimes in the second season of
cable shows they do a few more. I don't know.
So you prefer that – the half season format
over the full season?
I do. I do. I’ve got two little kids.
What do you think it is about this show that
will draw in viewers?
Well, I hope it’s the writing – you know the
sense of humor, the fact that the characters are a little
bit off-beat. When I read the script, I laughed out loud a
few times, which is rare. Things that I thought were going
to happen didn’t happen. I hope people want to laugh and
sort of follow an interesting… I mean also it’s interesting
that I think each week you get a little bit of both kind of
shows. You know you get a procedural because each week you
get a new story about a witness and how they ended up hiding
in Albuquerque. I think something appealing about the show
is that you know you get both the procedural aspect and you
get a serial aspect. And I think that’s satisfying, at
least it is for me.
I know that people on the Witness Protection
Program – they don’t get to choose where they relocate. But
I was just wondering if you could choose where would you go?
Golly, I’d like to live in London.
Why is that?
Well, my husband is from there. I mean you
can't go where your family is, but my husband is English and
we spend a lot of time in London, so I know it and like it.
What
has been your favorite scene to film so far, if you can tell
us about it?
Let’s see – my favorite scene to film maybe
was that – I don’t know if you guys have seen this episode,
but the one with the Trojan horse. Have you seen that one?
No, I’ve only seen the pilot and the
next two after that.
Oh, okay. It’s an episode that Fred and I
sort of get in a standoff. We end up in an abandoned bar in
a sort of gun standoff. And so I shot the scene with Fred
where I think he might die and he thinks I might die, and I
think it’s a really beautifully written scene.
It sounds good.
There’s one thing I really like about your
character is that she’s really very brilliant professionally
and yet her personal life is kind of screwed up, and I’ve
noticed that in some other roles that you’ve played in in
the past too. Why is that kind of a dichotomy interesting
to you as an actress?
Well, I think it’s probably something we see
a lot, right. I mean with successful people they focus
their energy on their work and you know unfortunately some
things like marriages or relationships and other things
slide a little bit. Usually it’s people hiding themselves,
right? They’re hiding from something they don’t want to
look at and so they hide in their work. I think that
happens a lot. So I love that David sort of has her hiding
as well. She’s hiding from her own fear of intimacy and
she’s hiding from her own anger at her mother and she’s
hiding from all that stuff, so she just focuses on work you
know. I think it’s sort of a beautiful backdrop that she
hides people for a living and she’s sort of hiding as well.
How has the experience of working on this
show been different from that of working on the other shows
that you’ve been a regular on?
You know I think this one is so different
mainly because of the workload. For me, I just have never
had this big a part. And I said it before it’s a case of be
careful what you wish for. You know I was I just want that
role that’s – and sort of dreamt up this role, and now I
have this role and she’s cool and it’s funny and she gets
great lines and you know I get the gun and the car. I’ve
got the best role in the world. And you know what comes
with that is really, really, really long days and a lot of
pressure. So I think that’s been the toughest. That’s been
the biggest challenge for me. And that’s been the
difference is that I feel a lot more pressure and I care
about it a lot more, too. I care about everything a lot
more. I care about the crew a lot more because I feel
responsible now. You know I feel like this is on me a
little bit, so I want it to be a nice experience for
everybody.
Okay,
first of all, you said “I get the car.” You drive a Ford
Probe – hello.
But it’s cool. She loves that little car.
All right….
I think it’s a classic. I love it. I love
that she’s just sort of stuck on it. She’s a creature of
habit.
Well, I was just going to ask about the whole
being a cop thing and if that’s just fun as an act. I mean
obviously many actors on television get to do the…
Yes, I’ve never done it before. It is fun.
I mean you know she’s kind of a bad ass. She’s a bad ass
without being a superhero, which I like. Like I don't think
David made her… you know like when she has a fight, you’ll
see in some episodes when she fights, she actually gets
hurt. You know I mean I think it’s not always pretty. But
she still can look after herself and really mess somebody up
if she needs to, which I just love. Of course it’s great.
I mean I’m built for that as well and I feel like I’ve never
really gotten to do it. I mean I look like – you know my
body looks like I might be a Marshal and I’ve never really
played a cop. So it’s nice.
A Marshal and a German stewardess – that…
Exactly, I said recently and I feel this is
true that for the first time in my entire career I’m the
right size for the role – both roles.
What has been your most memorable moment
you’ve had from filming this show?
You know when I shot that scene with the
Native American in the bathroom where I throw the soap at
his groin? I was so sick when we shot that scene that I was
throwing up between takes in a bucket. That’s memorable.
So when I see that – actually I had some sort of stomach bug
that I’d gotten from my baby and I was so ill, but we had to
shoot it that night because we were losing that location.
And I actually would just like say a line, throw up, say a
line, throw the soap, throw up. You know it was
unbelievable. I was honestly just barely getting through
it.
I
was wondering if there are any guest stars we should be
looking forward to this season.
Yes, Dave Foley is great in - I don’t know
what number it is, but it’s called “A Trojan Horse.” I
think it might be four. Dave Foley is excellent in that.
And we pick up Sherry Stringfield – is really good. And oh,
gosh, Wendell Pierce – he is my favorite of the whole
season. He was phenomenal. I mean Wendell Pierce is like a
brilliant actor and it was a huge coup to get him. He had
worked with the director of that episode before. So I think
he came really for him and he loved the writing and the
role. But he’s amazing in it. I mean he’s just really
moving. I don’t know what number his is. It’s called “Iris
Doesn’t Live Here Anymore.”
Do you have any dream guest star that you’d
like to see on the show?
Oh, my gosh. That’s a big question. Of
course there are so many. I want to drag everyone I love
down there. No, I’d have to think about that because that’s
big. I’ve got to like think, you’ve got to call me back for
that.
Would you ever be interested in writing or
directing for the shows if they gave you the opportunity?
I don’t feel like I really want to direct.
My husband is a director and I see what the job – I really
know that job well. And I certainly love to watch directors
work. I don’t feel decisive enough to direct. Writing
interests me more, but neither so much. I really think I
have my hands full with the acting.
The show is filmed in Albuquerque, which is
sort of off of the normal New York, LA, Canada radar for
most shows. What’s it like working there and how do you
feel that the city sort of contributes to the flavor of the
show?
Well, I mean I liked working there.
Albuquerque is sort of a great city actually. I mean it’s
interesting because when people think of New Mexico they
would always say oh, you’re in New Mexico. Oh, it’s
gorgeous and Santa Fe is beautiful. And I was like I know,
but we’re going to Albuquerque. And no one really knows
having – people certainly – lots of people know Albuquerque,
but it’s not what they talk about when they talk about New
Mexico. But we actually really enjoyed it. I mean for me I
like it more than this other city. It feels more like a
city actually. I mean it has a university and so therefore
it’s more – I don't know – more interesting. You know it’s
diverse and there’s a lot going on culturally. It’s bigger
and less touristy and it feels like a real place – like
people really live there. And I don't know we enjoyed a
lot. I think in terms of what it contributes to the show –
just New Mexico in general really contributes to our show.
There’s nothing else on TV like that - you know with the big
sky and sort of that landscape, which is really like another
planet. There’s no one else shooting there right now. So
it’s really special and it looks like you could get lost
there. You know it looks like a place you might go to start
over.
What
would you like to say to everyone who is a fan and supporter
of you and your work?
Thank you, of course. I mean my goodness you
know I’m doing this play right now and after I leave the
theater I was saying this to my husband the other night
because there are so many people outside who want
autographs. They’ve just seen the play and they get to tell
you exactly what they thought and you know they’re still
laughing. And you get this sort of instant feedback. And
it’s so much fun for me. Sometimes some of the other actors
think like oh, I have to go out there and do that or they
don’t go out between shows. And I always go out because I
just feel like how sweet that people are waiting around to
get my autograph. But also I guess because I’ve done so
much film and television, I don’t get to talk to people
about the work ever. And it’s nice to hear that people have
enjoyed your work you know. So I would say thank you. I
get to do what I love and I get to do it because people you
know enjoy it. And that’s a treat.
I know you said you’re doing the play, but do
you have any other shows or projects that are coming up soon
for us to look forward to?
You know, I don’t right now. I have this. I
mean this I went from shooting In Plain Sight in
Albuquerque to having Christmas and then right into
rehearsing the play. And now I’ll be doing the play all
summer. So hopefully we’ll be going back to Albuquerque
right after the play. I mean that’s my – I’m knocking on
wood as I say that. There I just knocked.
It seems that Marshall ends up being Mary’s
confidante for the most part since they can actually talk
about what’s going on in her work life at least. Does Mary
have anyone she would actually consider a friend in New
Mexico or mainly if she is too busy with her work and
family?
Yes, no, we don’t see any evidence of that
yet. I mean we’ll see what David does. I don't think she’s
a very friendly person. You know, I don't think that’s a
strength. In fact in episode four, there’s a line between
Fred’s character and mine where he says, “You know you’re my
best friend.” And she says “You’re my only friend.” So,
yes, I think that’s it. I mean I don’t think she has really
any friends. I had to say it out loud.
Hello, can you tell us besides when you were
sick another funny moment that happened either while filming
or just hanging out on the set?
Let’s see, let’s see. Golly, I wish I’d
thought of that ahead of time. I’m going to waste
everybody’s time by sitting here thinking. Oh, I know I can
tell you about Fred. I constantly teased Fred because he’s
so vain and he wears – between takes he puts in retainers
sometimes. And he says they’re not retainers, they’re
Invisalign - very defensive about that. And then he also
carries – oh, my gosh, he’s going to kill me for this – he
also carries in his suit pocket – he carries – sometimes he
carries a little mirror so he can check his hair. So I give
him a lot of heat for that because I always say he’s the
chick and I’m the guy.
I’m
a
West Wing fan. I just wanted to ask what
it was like working on that show – you experience there and
any stories…
That was a dream job. I mean when I took the
West Wing job, sort of a week later when we were
negotiating my deal, I found out I was pregnant. And I
called John Wells to come clean because I just felt like I
couldn't sort of negotiate a deal and you know show up
something that I wasn’t when he offered it to me. And of
course they were great and said don’t be silly. We don’t
care and it’ll be wonderful and you know. And I said,
“Please, please, write it in that I’m pregnant.” And they
didn’t so my experience was a big, big, huge lesson in
humility, you know because I shot it 100 pounds overweight
or whatever. I mean I’m Irish and I went for it, but I was
definitely big - but you know I said some of the best lines
on TV. I mean I had a great role. They wrote Kate Harper
for me and it was one of the best roles I’ve ever had. I
spoke twelve languages. I was ex-CIA. I mean I was like
the President’s confidante. I brokered peace in the
Mideast. You know, you could do worse things. But my
experience there was also that you know I worked with some
of the best actors I think working in television – Richard
Schiff, Allison Janney, Martin Sheen, and Bradley Whitford
- I mean amazing actors. And then I got to that party too
late. You know when that show ended; they were all so
tuckered out. They were really ready to you know - it was
bittersweet for them, but they were really ready to move
on. I was sort of like what do you mean guys? Let’s do
another year. I was just thrilled to be there. But I feel
grateful that I got two and a half years because I consider
it you know wonderful television and better than a lot of
the film I’ve done.
You mentioned the size thing just briefly.
Is it crazy making – being a woman in Hollywood who you know
where normal is not normal for folks who…
You know I don’t think it is crazy making for
me. I think it is for many. For me it’s obviously not
because I’ve always sort of stayed the same – normal. I
have a normal look and I’m sort of athletic looking and I’ve
always sort of stayed the same within five pounds or
something. I don’t really go up and down that much. So
obviously I don’t get that swept up in it. Some people do,
but I’ve managed to have a good – I like my career and I
like the parts I’ve gotten and I’ve never really been
accused of being skinny – sort of always been normal. So I
think it can be done. You just have to not lose your way
and people are all different.
When
you’re acting, do you ever get to like offer your input or
advice or change things and how is the director with doing
that?
You know I mean I certainly do. David Maples
who created the show is really collaborative, which I love.
I’m so grateful for that because not everyone is that way.
And yes, if I find like if I think there’s something that
just feels funny or whatever and I mention it to him, he’ll
look at it again and either change it or explain what he was
thinking. And we just sort of – you know yes, he’s very
collaborative. So I feel grateful for that. In television
the directors are pretty collaborative. It’s really the
show creator who is the most protective generally and
they’re – but David is lovely. David has a really wonderful
outlook. It’s the best idea wins you know, which I think it
makes for better product.
You just mentioned in
The West
Wing about how when you got the job you found out you
were pregnant. Now In Plain Sight also has been in
work for well over a year. How gratifying was it for you as
an actress to know that they thought so much about you that
they were willing to sort of push things back while you had
your baby?
Oh, amazing. I mean amazing that John Wells
did that for me because he certainly didn’t have to. And
then yes, that USA network – I mean I shot the pilot and
then we were going to go back in the fall and then they said
well, maybe the spring and by then I’d gotten pregnant.
They waited a whole year – over a year to shoot. And I
thought you know yes, a huge compliment. And this time I
said, Flip, if I’m going to have any more babies, I’m
calling you first, which my husband you know yelled at me
for. Maybe call me first. And then we’ll call USA.
What got you started in acting?
I grew up in New Jersey and I saw Broadway
plays first. It was like what we got to go to for my
birthday or a class trip. You know so I think living near
the city was probably the biggest influence. Yes, seeing
Broadway plays.